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Champions of emerging Sydney music and culture since 2003.

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DJ Mixes

MSG4000: Laurassoul

A warm film photo of the switch team sitting close together. from left to right: Cedar, Lau, Sandro, King and Sabrina

Switch

Sunset with Motorik

The Midday Mix - Ekul & Andrew Wowk

Tangela looks past her left shoulder into the camera with an inquisitive look. She is wearing a strappy black top. She stands in front of a plain white background and their is a pixelated filter over the image .

Sunset with syra & 3ARSA (Dance Class Takeover)

Bare Necessities

Sunset with Bare Necessities

Simon Caldwell stands side on, looking downwards. He has headphones on. Behind him is a brightly lit and colourful brick wall with graffiti.

Sunset with Simon Caldwell

M5 // Wingnut

Stephen looks directly at the camera, wearing a black tee, black sunglasses and headphones around his neck. He is backgrounded by a concrete wall.

Souled Out

Loose Joints w/ Rina Evangeline

On Rotation

Scoob and Jerry

The Allnighter w Scoob

Ruby wears a Collarbones t shirt and pretends to play the DJ decks, Al sings into a pringles can. Both are wearing dark sunglasses in the FBi studio.

Arvos with Ruby and Al

The Playlist with Jim

Friday Mornings with Ian McCarthy

Up For It (feat. Sonic Reducer & Eko Atari)

The Allnighter

Lunch with Josh Di Matteo, Audrey Fallone & Violet Hull

Lunch with Ify Obiegbu

Kana Frazer is smiling at the camera with her head tilted slightly to her left. She wears big black headphones around her neck, and a white hoodie with colourful illustrations on it. She stands in front of a grey background, and colourful light beams border the left.

Mornings with Kana Frazer

Up For It

Specialist

A greeny-grainy film photo of Bela, John and Bindi at night. They are standing in a backyard on grass, in front of a green fence

Phrygia

Jim making a cat ear pose, edited in front of a pink wall with lots of pink hearts and purple sparkles layered on top.

fairy bread / start your engine

An abstract artwork in mostly grey, with a textural cross in the centre. There are metallic and drawn elements.

Mithril

Deep Web with Heidi

The Bridge with Narainee

Marcus Whale is on the left, bent to his knees and arching back with a gleeful look his face He is wearing a white t shirt and grey striped pants. Gus McGrath is to his right, legs spread wide and his arms in a cross over his head. He wears a white shirt, black pants, and a grey jumper as a shawl over his head. His expression is of a slight smile. They are at an event where there is a crowd and live music.

Sleepless in Sydney

Jasper Craig Adams holds a vintage camera to his eye, obscuring his face. He is wearing a grey jumper, sitting at a wooded dining table where an assortment of objects are placed - a candleholder, a jar of plant cuttings, a can of drink, and some papers. Behind him a white wall features various artworks and a hanging mirror. The image is captured as if from a digital camera still, complete with slight pixelation and stamped with the time and date with white digital text

Real to Reel

The Bridge with Diana Kalkoul

In the style of cheesy 2000s hip hop mixtapes - Mateo on the left has his hands clapsed in prayer. Benny has their arms crossed and is standing tilted. Above is yellow graffiti writing '2furius'. Below them is two cars, and below is 'fbi radio 94.5' in gray graffiti font

Sunset with 2furius

Surfacing with Luke M de Zilva

Talks

T Breezy - Out of the Box

Cracked

A close up picture of a bunch of ginger roots. Yellow squiggles with arrows, hearts and dots are drawn, overlaid on top of the image

Rhizome

Race Matters / Wall Street, Boundary Street: Saul Williams & DRMNGOW on Empire, Music and Liberation

All The Best

Backchat

Matt Do & Nick Hibbs

Out Of The Box

Cracked

A close up picture of a bunch of ginger roots. Yellow squiggles with arrows, hearts and dots are drawn, overlaid on top of the image

Rhizome

Race Matters / Juneteenth Special ft Travis Brown

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Streaming online and on 94.5 FM since 2003. fbi.radio is based on unceded Gadigal land; we pay our respects to Gadigal Elders past and present. We respectfully acknowledge the traditional custodians of the many lands upon which we broadcast, work, and live, and recognise their continuing connection to Country.

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