Marmalade - Gnawa/ڭناوة

05.10.25
Tommy - Persian Rug
Aired on 05.10.25, 12:00am

A genre-less space, which focuses on the psychedelic Ley lines that connect the past to the present. Exploring how the world music that connects us all, is rich in both spirit and sonic.

Send me your music or pitches tommy.b@fbiradio.com or on IG @xtboutros27

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Tracklist

El Moukhtar & Zaida Kania المختار و زايدة كانية
Jankriyi خانكريي
Aziza El Meknassia عزيزة المكناسية
Ribou Ya Douk Lejbal ريبو يا دوك لجبال
Gna Abdellah
Sadati Huma Shorafa
Album Focus - Muluk el Hwa - Cancons De Jma-el-Fina
One of 3 albums recorded in Spain, 1986's Cançons de Jmà-el-Fnà present them doing what they do best: mixing up Gnawa tunes, Marrakchi and Sahraoui folk and popular pieces, and original compositions. As usual, they take the Ghiwani model of a folk ensemble: the guinbri, a plucked string instrument (here I belive it's some sort of mandol), and several drums, and augment it by adding qarqabas and sfiqa (interlocking clapping) to the mix, accenting that Marrakchi feeling. Cançons is a lovely album. Its varied musical textures engage the ears of listeners who may not understand the Arabic lyrics. One of the tracks on this album was the basis of Led Zeppelin fans may recognize it as the basis for the tune "Wah Wah" that was featured on the Jimmy Page & Robert Plant album ‘No Quarter’.
Muluk el Hwa
Aununa Rijal Elah
Muluk el Hwa
Taleb Hanaya
Muluk el Hwa
Anti Arfa Elebia
Orchestre National de Barbés
Mimouna - Live
Asmaa Hamzaoui, Bnat Timbouktou
Soudani Mama
Karim Ziad
Ya RIjal
Tartit
Imbahwa
Tartit
Houmeissa
Conscious Listening
Recorded at the Festival du Monde Arabe de Montréal that features the distinctive sounds of Gnawa music fused with jazz. Created in 2000, the Montreal Arab World Festival (FMA) (in Arabic مهرجان العالم العربي في مونتريال) is an annual event taking place in the fall in Montreal . Various shows, films and conferences, related to Arab culture , are presented to the public. The event is intended to be secular in order to represent all Arab culture. The festival was created in 2000 by Joseph Nakhlé. The FMA offers artists from different cultures the opportunity to pool their creativity, experience, and artistry, while sharing unforgettable moments with an attentive audience in a warm and inviting setting. It also aims to introduce the public to original creations that embody the extraordinary richness of Western and Eastern heritage. The FMA is particularly known for its creations annual multidisciplinary festivals that have made their mark with their avant-garde approach. They encourage encounters between artists and communities, while embodying with finesse and subtlety the values ​​of the festival: tolerance, openness, discovery of others, the fight against prejudice...
Gnawa El Jazz
Caravan avec Gnawa El Jazz
Waaju, Majid Bekkas
Fangara - Live
Tony Vacca
Improv
Hassan Boussou
Nomade
Album Focus - Hamid El Gnawi - Gnawa Fusion Vol.2
Hamid (Faraji)El Kasri (Arabic: حميد القصري; born 1961) is a Moroccan Gnawa musician traditionally considered a maâlem (Arabic: مُعَلِّم), or "master musician". Born in Ksar El Kebir, Morocco, he now lives in Rabat.. He began training at age seven, taught by the Tangier Maâlem Abdelouahed Stitou and Maâlem Alouane initially in the special Chemeli or Northern style of Gnawa music, which is distinctly different from the usual styles of Marrakech. El Kasri is famed for his deep, intense voice, which has made him one of the most sought-after maâlems, both in Morocco and abroad. In addition to singing, he performs on the guembri (الكمبري), a three-stringed bass instrument. He is noted for having blended the Gnawa rhythms of the north and south of the Morocco
Hamid El Gnawi
Yo Mali
Hamid El Gnawi
Salam Allah