Marmalade On The Moon / Glitterbeat Records

05.04.26
Tommy - Persian Rug
Aired on 05.04.26, 12:00am
Specialist

A genre-less space, which focuses on the psychedelic ley lines that connect the past to the present. Exploring how the music from all cultures which connects us all, is rich in both spirit and sonic.

Send me your music or pitches tommy.b@fbiradio.com or on IG @xtboutros27

More Episodes

Tracklist

Samba Touré
Awn Bè Ye Kelenye
Lobi Traoré
Dunuya (Live)
Bassekou Kouyate
Siran Fen
Ben Zabo
Danna
Lobi Traoré
Moussa
Aziza Brahim
Gdeim Izik
Aminata Wassidjé Traoré
Tamasheq
Black Mango
Naked Venus
Black Mango
Soft Kicks
Noura Mint Seymali
El Barm
Noura Mint Seymali
Emin Emineïna Chouweynë
Fofoulah
Reality Rek
Conscious Listening Part 1
Originally released in 1980, Jon Hassell and Brian Eno’s collaborative album “Fourth World Music Vol.I: Possible Musics” is a sound document whose ongoing influence seems beyond dispute. Not only is the album a defining moment in the development of what Eno coined as “Ambient Music” but it also facilitated the introduction of Hassell’s “Future Primitive” trumpet stylings and visionary “Fourth World” musical theories to the broader public. These vectors continue to enrich contemporary audio culture.
John Hassell, Brian Eno
Chemistry
John Hassell, Brian Eno
Ba-benzélé
Conscious Listening Part 2
Laraaji music was always increasingly influenced by both his studies of Eastern spiritualism and the presence of Eastern musical motifs in the Jazz and rock music of the time. When he entered a pawnshop in the early 70’s, hoping to hock his guitar, he instead listened to an “inner guidance” and traded it for an autoharp, an instrument that he later adapted into a zither (by removing the chord bars) and electrified by using the speaker on a portable reel-to-reel tape recorder. This spontaneous decision brought on a fortuitous shift in Laraaji’s musical direction and led to his chance encounter with Eno several years later. The appearance of “Day of Radiance” as part of Eno’s landmark ambient series massively elevated Laraaji’s musical profile. In the years following, while he maintained contact (both personal and musical) with Brian Eno, he delved deeper into projects that fused the ethereal qualities of his music with spiritual studies and teachings.
Laraaji, Brian Eno
The Dance No.2
Ben Zabo
Ya Be Ma`e
Bixiga 70
Machado